Digitized  by  the  Internet  Archive 
in  2020  with  funding  from 
Getty  Research  Institute 


https://archive.org/details/catalogueofimporOOhenr_O 


V  / 


I  I 

/Vv 


U65. 


15 


Leeds  Art  Galleries, 

817  &  819  Broadway. 


Henry  H,  Leeds  &  Miner, 

AUCTIONEERS, 

Salesrooms,  95  Chambers  and  * 
77  Reads  Streets 


AHiBH  Bi  KHflilj 


('  A  V  A  I*  o  iVB 


OF 


AN  IMPORTANT  SALE  OF 

PAGINAL  plf^ST  pLASS 


_  'S> 


BEING  THE  ENTIRE  COLLECTION  OF 


Mr.  A.  D'HUY  VETTER, 

OF  ANTWERP, 

,  \  •  M  ' 

1V h/m"from  the  Artists  EtlLiSip0rted- a-nd  20ver  1)efore  exhibited  ;  purchased  and  ordered  by 

^favorite  FO  m'x  S  Ane  exaniPles  of  many  of  the  best  and  most 

ta^onte  El  ROPEAA  MASIeRS.  Also,  a  number  of  fine  Pictures  by  our 

well-known  AMERICAN  ARTISTS. 

TO  BE  AT'  MOTION, 

POSITIVELY  WITHOUT  RESERVE,  BY 

Elf  HIT  H*  lilll  A  Kllil 

AT  THE 

LEEDS  ART  GALLERIES,  Nos,  817  AND  819  BROADWAY. 

9  t 

S.  W.  Corner  of  12th  St. 

,  Thursday  &  Friday  Evenings,  June  2d  &  3d. 


f 


«  •  # 


•0: m  :Q: M  SZHlgmSH  F1IS, 

TERMS  CASH— CURRENT  FUNDS. 

deposit  will  be  required  from  all  purchasers,  at  the  option  of  the  Auctioneer  which 
•sit  shall  apply  to  all  goods  purchased  at  this  sale. 

vrfnlfi!rjCo^efv^»!i  be  f)ain  f?r  witllin  twenty-four  hours  from  the  day  of  sale,  or  the  deposit  will 
rfeited  and  the  sale  annulled  or  the  goods  resold  for  account  of  purchaser,  at  the  option  of  the 

All  Claims  for  reclamations  must  be  made  on  or  before  12  o'clock  A.  M.  of  the  dav  after  the  sale. 


CL. 


A* 

NO. 

.  1  5 

ACC. 


library 

M.KNOEDLER  &  GO. 
556-8  Fifth  Ave. 
New  York 


NOTICE. 


We  wish  to  assure  purchasers  that  these  Pictures 

belonging  to  Mr.  D’Huyvetter,  of  Antwerp,  are  guar¬ 
anteed  by  him  original  in  every  instance ,  many  of  them 

having  been  painted  to  his  order  during  this  year  and 
the  year  past,  the  great  majority  of  his  invoice 
having  only  been  received  by  us  from  the  Custom 
House  within  the  past  two  weeks.  We  have  his  or¬ 
ders  to  sell  without  reserve. 


HENRY  H.  LEEDS  &  MINER. 


CATALOGUE. 


C.  LENORE. 

1  Innocence. 


O.  CONNOR.  U4 


2 

3 

4 

5 

6 

7 

8 


Landscape. 


UNKNOWN. 

I 

Landscape. 


GEO.  L.  BROWN. 

i  \ 

Landscape. 


191  A\~ 

HOGARTH.  X 
Kitty  Fisher. 

S.  CORRENE. 
Reverie. 

W.  MORRISON. 

Miniature  on  Ivory. 


UNKNOWN. 

Landscape. 


9 

io 

1 1 

12 

]3 

l4 

l5 

16 

l7 

18 

l9 


4 


UNKNOWN. 

The  Coquette. 

R.  JONES. 
Nahant. 

UNKNOWN. 
The  Invalid. 

E.  SAYCOAL. 

Landscape  and  Figs. 

A.  BIERSTADT. 
Moonlight. 

UNKNOWN. 

A  Lady,  Florentine. 

BLACKMAN. 

Landscape. 

UNKNOWN. 

Grecian  Coquette. 


/ 


\'V 


F.  C.  S.  MELBYE  (deceased). 
Marine  Coast  Scene. 


UNKNOWN. 
Fish. 


Game.  ) 


v  Compani 


anions. 


5 


20 


21 


J.  WAGNER  (Antwerp). 
Female  Head. 


GRIGGS. 
Vase  and  Fruit. 


V 


CARLO  DOLCI. 

22  Poesy  (Copy). 

R.  CRABEELS  (Paris). 

23  French  Scenery. 


\y 

X 


24 

25 


SILVIA. 

“  On  the  Beach  at  Long  Branch.” 

A  Misty  Morning  on  the  Mass.  Coast. 


H.  O.  YOUNG. 

26  On  the  Parsumpsic  River,  Vt.  ) 

>  Companions. 

27  Scene  on  Echo  Lake,  White  Mts.  j  . 

PAUL  CRAYON. 

28  Lake  in  the  Adirondacks. 


N.  BUSH. 

29  San  Juan  River,  Nicarauga. 


J.  C.  MERTZ  (Paris). 
30  The  Letter. 


6 


A 

L> 


70 


P 


31 


F.  KRUSEMAN  (Brussels) 
Winter  Scene — Ruins. 


GEO.  INNESS. 


32  Landscape. 


33 


EMILE  WATTIER  (Paris) 
Interior  Grand  Opera. 


L.  PLAS  (Amsterdam). 

34  Scenery  near  the  Hague. 

W.  ANGUS  (Antwerp). 

55  The  Lovers. 

F.  C.  S  MELBYE  (deceased). 

36  Marine— On  the  Coast. 

J.  H.  DOLPH. 

37  Hook  Mountain  on  the  Hudson 


R.  MAES  (Brussels). 

38  Barnyard  and  Chickens  j 

y 

39  d°  i 


n  / 

i 

1 


Companions. 


P.  VANDERVIN  (Brussels). 

40  Interior  Stable,  with  Horses. 

J.  B.  BRISTOL. 

41  View  nean  Great  Barrington,  V  , 


42 

43 

44 

45 

46 

47 

48 

49 

50 

5l 


7 


F.  C.  S.  MELBYE  (deceased.) 
Marine  View. 


A.  D.  SHATTUCK  (N.  A.) 

Landscape. 

A.  WUST  (N.  Y.  and  Antwerp). 
Norwegian  Waterfall  by  Moonlight. 


DINGLE. 

Scene  in  Wales,  The  Old  Mill. 


L.  SMETS  (deceased). 

Winter,  j 

V  Companions. 
Winter.  ) 

B.  F.  TRYON  (Boston). 
Autumn  Landscape. 

A.  D.  HILLEVELD,  Jr. 
On  the  Coast  of  Holland. 


J.  D.  BARROW. 

Among  the  Thousand 
River. 


Lawrence 


R.  KUMMER. 


Sunset. 


8 


L.  JULLIARD. 

52  Allesonia  Mills,  Tenn. 

JNO.  ANGUS  (Brussels). 

53  The  Fortune  Teller. 

T.  A.  RUST  (Amsterdam) 

54  River  Scene  in  Holland. 

G.  VAN  MELLAERT  (Antwerp).^ 

55  A  Fox  Preparing  for  Christmas.  \*/ 


56 

57 


KUWASSEG  FILS  (Brussels).  Q  f 

Harbor  of  Nantes.  )  ,  / 

>-  Companions. 

Harbor  of  Tecamp.  ) 

J.  H.  DOLPH. 

Still  Life — Pineapples,  &c. 


J.  HARVEY  YOUNG  (Boston). 

59  The  Masquerade. 

H.  SCHAEP. 

60  A  Stiff  Breeze. 


GEERTS  (Antwerp). 

61  Spanish  Soldiers  XVIth  Century. 

62  Companion. 


9 


C.  DIEBOLD  (deceased,  Paris). 


63  Bay  of  Naples. 

64  Marine. 


Companions. 


Fine  in  color ;  vigorous  and  artistic  in  treatment. 


F.  DE  BACKER  (deceased). 

65  The  Shepherd’s  Story. 

DE  VOS  (Courtrai). 

66  Dog’s  Head. 

T  H.  B.  KOEK  KOEK  (Amsterdam). 

67  Harbor  of  Scheveningen. 

F.  VAN  LEEMPUTTEN. 

68  Interior — Chickens. 

P.  WILLIOT  (Ghent). 

69  The  Wreck. 

P.  G.  VERTIN  (The  Hague). 

70  Street  Scene,  1 

>-  Companions. 

71  do  ) 

THOS.  GAYLOR. 


72 


The  Butcher. 


10 


L.  ROBBE  (Brussels). 


73  Interior— Stable,  Goat  and  Sheep. 

Painted  in  his  very  best  manner  ;  pictures  of  this  date  (1847)  are 
seldom  offered  at  auction,  and  in  Europe  they  are  highly  valued.  Fully 
as  tine  as  any  Verboecklioven  ever  imported  into  this  country. 


J.  H.  DOLPH. 

74  View  in  Ulster  Co.,  N.  Y. 


PORTIELJE  (Antwerp). 
75  Interior — The  Library. 


Most  thoroughly  and  delicately  executed.  A  painting  of  actual 
life  of  the  highest  order  of  merit.  The  two  figures  are  deliciously  and 
firmly  painted. 


GEO.  H.  BOUGHTON  (N.  Y.and  London). 
76  On  the  Hudson,  Sunset. 


A  very  realistic  picture  by  this  celebrated  artist. 


DE  LA  HOESE  (Antwerp). 
77  Boys  at  Play. 


BERLIN  (Mechlin.) 

78  Canal  Scene  in  Ghent. 

THEO.  DeHEUVEL  (Brussels.) 

79  Feeding  the  Ducks. 

ALBERT  NEUHUYS  (Antwerp). 


80  The  Consultation. 


11 


81 

82 


VAN  DIEGHEM  (Brussels). 

Interior  of  a  Stable,  Sheep.  ) 

f  Companions. 

Exterior  “  “  ' 


H.  HERZOG  (Dusseldorf). 

83  Marine — Coast  Scene. 

L.  SCHAEFELS  (Antwerp),  Professor  of  the 
Academy  of  Antwerp. 

84  Still  Life. 

CHAS.  LIECKERT  (Amsterdam). 

85  Winter  Scene — Skating  in  Holland. 

R.  MAES  (Brussels ). 

86  Interior — Chickens. 

A.  ZELIS  (Antwerp),  pupil  of  David  Col. 

87  The  Playful  Kitten. 

P.  G.  SEBES  (  Antwerp). 

88  Sunshine. 

C.  VAN  LEEMPUTTEN  (Brussels). 

89  Exterior — Sheep  and  Chickens. 

J.  GYSELINCKX  (Brussels). 

90  The  Happy  Mother 


12 


H.  VAARBERG  (Amsterdam). 

91  Rather  too  Hot  1 

>-  Companions. 

92  Feeding  the  Bird  ) 

RIEGEN  (Amsterdam). 

93  River  Scene  in  Holland. 

A.  EVERSEN  (Amsterdam). 

94  Winter  Street  Scene.  \ 

>  Companions. 

95  do  ) 

MAROHN  (Paris). 

96  Charity. 

FL.  CRABEELS  (Antwerp). 

97  Sunday  Morning — Going  to  Church. 

J.  H.  DOLPH. 

98  Sheep  Feeding — Winter  Twilight 

WYAN. 

99  Landscape. 

GUISEPPE  GHERARDI  (Florence). 

100  View  of  Florence. 

C.  G.  THOMPSON. 

101  Portrait  Wm.  Cullen  Bryant. 

Painted  when  the  Poet  was  a  young  man,  and  is  considered  very 
truthful.  /]  f  ,  ,  .  .  j 


102 

i°3 

104 

!°5 

106 

107 

108 

109 

1  10 

III 

112 


13 

MELBYE  (deceased). 

Marine.  \ 

>  Companions, 
do  ) 

M.  GARCIA. 

Sampson  and  Delilah. 

E.  D.  LEWIS  (Phila.) 
NewEngland  Scenery. 

M.  KOEK  KOEK  (Amsterdam). 
Winter  Scene. 

JNO.  RUYTEN  (Antwerp). 
Street  Scene  in  Antwerp. 

UNKNOWN. 

Landscape. 

J.  KUMMER. 

Evening. 

CHAMPNEY. 

Artist  Guy  Sketching. 

GOODALL. 

The  Priest’s  Visit. 

PAUL  CRAYON. 

Twilight. 


to  ^ 


14 


G.  GRAHN. 

113  Beggar  Girl.  1 

-  Companions. 

114  The  Snow  Shoveler.  ) 

W.  CARLTON  (Boston). 

115  Some  Pumpkins.  Illustrates  Whittier’s  Poem. 

PAUL  CRAYON. 

116  Hunters’ Camp. 

UNKNOWN. 

117  At  the  Bath. 

E.  HOPLEY. 

118  Wood  Nymph  listening  to  the  Nightingale. 

JNO.  S  COPLEY,  R.  A. 

119  Portait  Miss  Barry. 

MARCIO  CIGOLI. 

120  Music. 

BODDINGTON. 

121  Coast  Scene — Shipwreck. 

CHAS.  J.  WRIGHT. 

122  Baker’s  Falls,  on  the  Hudson. 


After  TITIAN. 


123  Venus. 

An  excellent  copy. 

R.  MAES  (Brussels). 

124  Interior — Chickens. 

JNO.  RUYTEN  (Antwerp). 

125  In  the  Park. 

A.  FRANCONI  (deceased). 

The  Mother’s  Prayer. 

MELBYE. 

/  / 

Marine — Sunset. 

J.  W.  HAWKSETT.  T 
Monarch  Mills,  Scotland. 

E.  D.  LEWIS  (Philadelphia). 

129  Scene  in  the  Green  Mountains — Old  Mills. 

J.  WAGNER  (Antwerp ). 

130  Kitchen — Interior. 

J.  C.  MERTZ  (Paris) 

131  Why  Don’t  he  Come. 


126 

127 

128 


F.  KREUTZER  (Dusseldorf). 
132  Early  Morning — Antwerp 


*33 

*34 

*35 

*36 

*37 

138 

*39 

140 

H1 

H2 

H3 


16 


J.  SORIEUL  (Paris 
Battle  Scene. 

A.  STOVER. 

Morning  in  Massachusetts. 

SEYFERT. 

Landscape  and  Waterfall. 

E.  D.  LEWIS  (Philadelphia).  . , 

Sunset  on  the  Juniata  River.  \ 

(  Companions. 

Morning  on  the  Susquehanna.  ) 

L.  SMETS  (deceased),  j  ? 

Winter  Scene. 

UNKNOWN. 

Judgment  of  Paris. 

J.  H.  DOLPH. 

Distant  View  of  the  Catskills. 


FL.  CRABEELS  (Antwerp). 
Return  from  the  Christening. 


BENTIFFE. 


Composition  of  Flowers. 

C.  LENORE.  j 
Girl  with  Flowers,  / 


17 


MARCELLUS  OTTO. 

144  Flower  Piece— Poppies. 


y 


This  very  elaborate  canvass  was  one  of  the  works  most  specially 
prized  by  the  celebrated  connoisseur  Michael  Path  It  is  grandly 
painted . 


A.  LION  (Antwerp). 
145  The  Lace  Worker. 


H7 


L.  PLAS  (Brussels). 
146  Landscape  and  Cattle. 


do 


j  Companions 


J.  WALRAVEN  (Brussels). 
148  The  Watering  Place. 


R.  MAES. 

149  Going  to  market — Winter. 

J.  H.  DOLPH. 

150  The  Watering  Trough. 


/ 


/  A 


■  *■ 


151 

152 


F.  GEERTS. 
Interior  Soldiers. 


do 


do 


-'b  > 

Companions.- 


L.  DE  BEUL  (Brussels). 

153  Winter,  with  Sheep.  Approaching  Storm 


IS 


C.  &  F.  VAN  LEEMPUTTEN  (Brussels). 

Interior — Chickens.  ) 

>  Companions. 

Exterior — Fowls  ) 

H.  VON  SEBEN  (Brussels). 

Skating.  \ 

>  Companions. 
Coming  from  School.  ) 

COENE  &  ROBBE  (Brussels). 

Landscape  and  Cattle. 

G.  VAN  MELLAERT. 

The  Refusal. 

AUGUST  COOMANS. 

(After  Joseph  Coomans,  liis  brother.) 

The  Reprimand. 

H.  HOLLANDER  (Amsterdam). 

The  Sisters. 

P.  WILLIOT  (Ghent). 

Marine — Glimpse  of  Hope. 

HERBERT  McCORD. 

Sunset  on  the  Tappanzee. 

J.  H.  C.  SPOHLER  (Amsterdam.) 

Winter  Scene — The  Windmill. 


19 


A.  DeBRACKELEER. 
165  Interior  and  Figures. 


EUGENE  VERBOECKHOVEN. 
166  A  Study.  Head  of  a  Sheep. 


J.  RUYTEN  (Antwerp). 
School  Out. 


MELLAERT. 
168  The  Chess  Players. 


1  70 


R.  MAES  (Brussels). 

Barnyard  Fowls. 

h  vf 

GUISEPPE  GHERARDI  (Florence),  Knight 
Commander  and  Chevalier,  etc.,  etc. 

The  Isle  of  Elba,  Napoleon’s  place  of  Banish¬ 
ment. 


The  works  of  this  artist  are  extremely  scarce,  and  few  are  seen  in  this 
country,  but  are  to  be  found  in  the  Royal  Galleries  on  the  Continent. 
Cost  10,000  francs. 

C.  VAN  LEEMPUTTEN  (Brussels). 

171  Herdsman  and  Flock,  in  Belgium. 

A  very  tine  canvass,  by  an  Artist  whose  larger  pictures  have  rarely 
been  seen  in  America.  Tts  greys  are  exquisitely  felt,  and  its  detail  alike 
vigorous  and  graceful. 


DAVID  DE  NOTER. 

172  Anticipating  the  Guests. 


* 


l 


A— 


F.  ATHANASE  (Paris). 
173  Napoleon  at  Beaumont. 


174  Fall  in  Norway. 

Broadly  and  vigorously  painted. 


WILMS. 
175  Fruit. 


GRELLET  (Paris). 
Saint  Dominique. 


C.  VAN  MELLAERT  (Antwerp) 


177  Landscape  and  Cattle. 


O'o 


l19 


A.  DILLENS. 

At  the  Toilet. 

GYSELINCKX. 

Fowls. 


WM.  HART. 

Ruins  of  an  Old  Castle. 


B.  C.  KOEK  KOEK  (deceased). 

A 

181  Landscape. 


Genuinely  and  honestly  painted — a  very  tine  picture — by  an  artist 
whose  works  are  considered  invaluable  in  Europe,  and  have  always  com¬ 
manded  large  prices  in  this  country. 


21 


G.  HEEREBAART. 

182  Landscape  and  Figures. 

Very  luminous,  and  exquisitely  finished. 

A.  EVERSEN  (Amsterdam). 

183  Village  Scene. 


R.  MAES  (Brussels). 
184  Interior — Stable,  Sheep. 


/  > 


L 


187 


188 

189 


J.  H.  DOLPH. 

185  Old  Dutch  House  in  Jersey. 

A.  EVERSEN  (Amsterdam). 

186  Street  Scene — Winter. 


O  J 


E.  F.  BEAULIEU. 

Landscape. 

AUGUST  COOMANS 

(After  his  brother  Joseph). 

Pompeian  Woman. 


At  the  Fountain. 


j-  Companions. 


ij? 


L.  LAMPE  (Brussels). 

190  In  the  Park — tk  I  am  Engaged.” 

DE  VOS  (Courtray). 

191  Dog  and  Duck.  \ 

(  Companions. 

192  Dog  and  Rabbit.  ) 


22 


M.  A.  KOEK  KOEK  AND  EUGENE  VER- 
BOECKHOVEN. 

Landscape,  with  Sheep  and  Figures. 


The  landscape  and  foliage  superbly  painted. 


l94 


l9  5 


GEERTS. 

At  the  Window,  j 

Companion.  ^ 


200 


EUGENE  VERBOECKHOVEN. 
Cabinet  Landscape,  with  Cattle  and  Sheep. 


R.  MAES. 


Fowls. 


N.  CALYO. 

Italian  Peasant  Girl. 


ROOSDORP  (Amsterdam). 
Street  Scene. 

L.  DeBEUL  (Brussels).  > 
Landscape,  with  She^p,  &c. 

R.  A.  BLAKELOCK. 


Landscape. 

KREMER  (Antwerp). 

John  Van  Huysum  in  his  Studio. 


23 


203 

204 

205 


J.  SPOHLER. 

Winter  Sports  in 

PORTIELJE. 
Children  Playing. 


W.  H.  WHEELWRIGHT  ^London). 
The  Return. 


GUTHRIE. 

206  Mischief. 


207 


E.  LANE. 

Autumn  in  Vermont. 


208 


209 


RIEGER  (Munich). 
Madonna.  (On  porcelain). 


METZIE  (Dusseldorf ). 
Interior. 


F.  MU  SIN  (Brussels  ). 
210  Near  Stelin. 


MELOS.  / 

\  1 

2 1 1  A  Peasant  Girl. 

UNKNOWN. 

212  Swiss  Landscape. 


24 


213 

214 

215 

216 


RIEGER  (Munich). 
Madonna.  (On  porcelain). 


J.  O.  B.  INMAN. 

Grapes. 


L.  SMETS  (deceased). 
Winter  Scene.  ) 


-  Companion, 
do  ) 


R.  A.  WARD. 

217  Saint  Sebastian. 


218 


i 

219 


H.  HOLLANDER. 
The  Family  Pet. 

CRABEELS. 

The  Reception. 


N 


MELBYE  (deceased). 
Moonlight. 

LACROIX. 

Fruit.  \ 

-  Companions. 
Fruit.  ) 


22Y 

224 


JNO.  RUYTEN  (Antwerp). 

The  Spanish  Gondola.  1 

Companions. 

Winter  Scene.  ’ 


A.  EVERSEN. 

Street  Scene. 


25 


225 


VAN  DER  RLYK  (deceased). 
226  Marine — On  the  Coast. 


R.  L.  PYNE. 

227  Evening. 

A  fine  landscape,  full  of  color. 


0  u 


S 


VERSCHUUR,  Jr.  .< 

228  The  Blacksmith’s  Shop. 

Very  charmingly  treated,  with  great  breadth  and  delicacy. 


A.  JONNES. 

229  The  Lesson. 


L.  SMETS  (deceased). 

232  Winter  near  Amsterdam. 

GEO.  H.  McCORD.  )\t 

233  The  Blacksmith  Shop. 

H.  VAARBERG 

234  The  Ancient  Velocipede. 


i3 


t 


26 


BREUGNER. 

235  Landscape  and  Figures. 


236 


n/\ 


V  Companions, 
do  do  ) 


/ 


H.  VON  SEBEN  (Brussels). 

237  Going  to  Market. 

S.  CARABAIN. 

238  Interior — The  Visitor. 

£  %l  H.  DE  BEUL. 

239  Feeding  the  Bird. 

H.  VAARBERG. 

240  The  Messenger. 

P.  VERREYDT. 


241  Thos.  More  receiving  his  Death  Warrant 


A.  DeBRACKELEER. 

242  The  Conversation. 

The  effect  of  this  small  canvass  by  the  Master  is  admirable,  and  the 
finish  all  that  conld  be  desired — a  genuinely  fine  cabinet  painting. 


LEROY. 

243  The  Pet  Doves. 

Admirably  painted,  and  in  tone  exquisite. 

J.  WAGNER. 

244  Domestic  Happiness. 


ft 
I  j 

W 


f 


A.  DeLEEUW  (Brussels). 
247  The  Poachers. 

P.  WILLIOT. 

246  Winter  near  Rotterdam. 

C.  VOLKMAN. 

247  In  the  Forest  of  Fontainbleau. 


)  Companions. 


A.  LION. 

248  The  Doctor’s  Visit. 

L.  SMETS. 

249  W  inter  in  Belgium. 

250  do  do 

* 

C.  VOLKMAN. 

291  On  the  River  Seine. 

J.  H.  DOLPH. 

252  On  the  Hudson,  near  Piermont. 

C.  PECRUS  (Paris). 

253  Conversation. 

CHIEFLARDT. 

254  Leda  and  the  Swan. 


A 


37 
J  / 


■/af 


r  Companions. 

25^  The  March  ot  Silenus.  ' 

Two  very  excellent  cabinet  pictures.  The  March  of  Silenus  is  singu 
larly  fine  in  color. 


2j6 

257 


The  Dice  Players. 


R.  MAES  (Brussels). 

258  Barnyard — Fowls  1 

■  Companions. 

259  do  do  ) 

Two  fine  cabinet  pictures,  exquisitely  finished. 

SPELTDEORN  (Pupil  of  Gerard). 

260  The  Lunch. 


Fresh  and  charming  in  color. 


261 

262 


P.  WILLIOT. 

Coast  Scene.  1 

-  Companions. 

Marine  View.  ’ 


C.  PETIT  (Pupil  of  Gerard). 
The  Young  Aspirant. 


W.  V ESTER. 

Winter. 

VERSCHUUR,  Jr. 
Horses  on  the  Beach. 

DAMSCHROEDER. 
The  Critics. 


1 


267 

268 


Interior — Stable,  Sheep, 
do  do 


Companions. 


!/ 


SCHNEIDER  (Paris). 

269  The  Empress  Eugenie  Visiting  the  Hospital 
during  the  Cholera. 


H.  SCHAEP. 

270  Marine. 


LESSENGER. 

271  Maternal  Affection. 

LeBRET. 

272  Landscape,  with  Sheep,  Fowls,  &c. 

PORTIELJE.  y± 

- - - - 

273  Mamma’s  Jewels. 

A  very  charming  painting  of  the  modern  Belgian  School,  executed 
with  thorough  honesty,  and  designed  with  a  pure  feeling  and  tone. 

A.  MAUVE  &  DAVID  COL. 

274  Landscape,  with  Cattle  and  Figures. 

C.  J.  ROSENBERG. 

275  Niagara.  (Entrance  to  the  Cave  of  the  Winds, 

from  the  Foot  of  Goat  Island). 

The  Canadian  branch  of  the  stream  is  concealed  by  the  dense  cloud 
which  is  sweeping  over  it.  It  is  a  remarkably  vigorous  transcript  of  a 
section  of  the  American  Fall,  taken  from  a  new  point  of  view. 


/  A 


\*s 


n 


1 


t  r — 

iC>v„  y 


/  vXv 


( 


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4 


30 


KUWASSEG  FILS  (Paris). 


276  Souvenir  of  Palermo. 


\ 


Companions. 


£ 

/ 


(Z 


277  Harbor  of  Brittany.  ^ 

Two  very  choice  specimens  by  this  favorite  artist 

AUGUST  COOMANS. 

£ 

c  ?  / 

278  Love’s  Melancholy.  .  ^ 

C.  F.  D£  VOGEL,  F.  LE  BRET  and 

‘ 


F.  VAN  SEVERDONCK. 
279  Forest  Scene,  with  Cattle,  Sheep,  &c. 


A  combined  painting  by  the  above  well  known  Artists.  The 
foliage  is  very  ably  painted,  and  the  cattle  and  figure  finely  finished. 


TOUSSAINT  (Dusseldorf). 
280  Pins  Down. 


J 


0/ 


H.  DE  BEUL  (Brussels). 
281  The  Shepherdess 


1/ 


/ 1  n 


A.  DE  KEYSER  (Antwerp).  * 
282  Teaching  the  Dog. 


A  brilliant  Flemish  painting,  singularly  fine  in  force  and  delicacy 
of  color. 


LACROIX. 

283  Fruit  and  Still  Life. 

RENE  MENARD. 

284  Landscape  and  Cattle. 


r 

V  /; 


31 


( 


C.  PECRUS. 

285  Lady  Embroidering. 


JT) 


Jr\  I 


F.  ROFFIAEN  AND  EUGENE  VERBOECK- 
HOVEN. 

t 

286  Swiss  Cottage  in  the  Mountains,  with  Sheep 

and  Figures. 

A  delicious  cabinet  specimen  by  the  above  eminent  artists,  and  a 
valuable  acquisition  to  any  collection. 

K 

F.  VAN  LEEMPXJTTEN. 

287  Interior,  with  Fowls.  \ 

>  Companions. 

288  Exterior,  with  Fowls.  ) 

A.  BIERSTADT. 

289  Harbor  and  City  of  Boston — Evening. 


Remarkably  vigorous  and  true  in  handling,  and  a  very  fine  example 
by  this  talented  artist. 


H.  VON  SEBEN  (Brussels). 

.  290  The  Alarm — Faggot  Gatherers. 

An  excellent  specimen  by  this  pleasing  artist. 


J.  B.  HUYSMANS  (Antwerp),  Chevalier 
of  the  Holy  Sepulchre,  Artist  by  Title  of 
the  Patriarch  of  Jerusalem. 

291  Albanian  Pilgrims  at  the  Tomb  of  St.  James 
the  Minor,  in  the  Armenian  Church  of  Jeru¬ 
salem. 

A  remarkably  fine  example  of  modern  pre-Raphaelism,  very  carefully 
and  thoroughly  painted,  with  far  more  richness  of  color  than  is  usual 
with  paintings  of  this  school.  The  figures  are  specially  fine. 


32 


v/ 


F.  LeBRET  (Antwerp). 
292  Landscape  and  Cattle. 


JACOB  JACOBS,  Professor  and  Member  of 
the  Council  of  the  Royal  Academy  of 
Antwerp,  and  Chevalier  of  the  Order  of 
Leopold  of  Belgium,  &c.,  &c. 

293  Waterfall  on  the  River  Glommen,  Norway. 

Broadly  and  magnificently  treated,  with  a  splendid  sweep  and  vigor  of 
brush,  showing  the  hand  of  a  master. 


A.  NEETESON  (pupil  of  the  above). 
294  On  the  Scheldt. 


V.  DeGRONCKEL. 

295  Italian  Mother  Paying  Adoration  to  the  Madonna. 


WM.  HART. 

296  Lake  George,  near  Hague. 


One  of  this  celebrated  artist’s  latest  works. 


A.  F.  TAIT. 

297  Ducks  and  Young. 


T.  CERIEZ. 

298  The  Bon  Vivant. 


C.  VAN  LEEMPUTTEN. 
299  Sheep,  Rabbits  and  Fowls. 

A  capital  cabinet  gem. 


33 


/! 


H.  MAES  (Ghent), 
300  The  Reckoning. 


/f) 


f 


A.  EVERSEN  (Amsterdam). 
301  Street  Scene. 


J.  H.  DOLPH. 

302  The  HudsonTrom  Piermont. 

M.JCOEKKOEK. 

303  Landscape  and  Cattle. 


/ 


VERMEL  PEN. 


X 


304  Winter  Sports — Evening  in  Holland 


G.  G.  HAANEN  (deceased). 
305  Interior  of  a  Cathedral. 


/ 


/  1 


/J 


R.  MAES. 


206  Fowls. 


/ 


H.  F.  SCHAEFELS  (Antwerp),  elected 
Honorary  Academician  of  the  City  of 
Rotterdam  in  1869. 

307  Rattle  of  Walcheron. 

Very  splendidly  composed,  and  painted  in  a  most  masterly  manner. 
The  following  quotation  from  J.  Lotlirop  Motley’s  “  Rise  of  the  Dutch 
Republic”  gives  the  incident  rendered  by  the  painter:  “  The  great  Lisbon 
fleet  followed  in  the  wake  of  the  Biscayans.  Totally  ignorant  of  the  rev- 

f 


34 


olution  whieh  had  occurred  in  the  Isle  of  Walcheron,  it  obeyed  the  sum¬ 
mons  of  the  rebel  fort  to  come  to  anchor,  and  with  the  exception  of  three 
or  four,  the  vessels  were  all  taken.  It  was  the  richest  booty  which  the 
insurgents  had  yet  acquired.  The  fleet  was  laden  with  spices,  money, 
jewelry,  and  the  richest  merchandise.  Five  hundred  thousand  crowns 
of  gold  were  taken.  One  thousand  Spanish  soldiers  and  a  good  amount 
of  ammunition  were  also  captured.” 


FIJNCK  ( Amsterdam ). 

308  Marine — A  Calm. 

A.  NEETESON  (Pupil  of  Jacob  Jacobs). 

309  River  View. 

KLUYVER. 

310  Winter — Gathering  Wood. 

VAN  OS. 

31 1  Harvest  Time. 

POUOIJEROLLE. 

312  Currants. 

A  EVERSEN  (Amsterdam). 

313  Street  Scene — Winter. 

VERMEULEN. 

314  Market  Scene  at  the  Hague-Candlelight. 


W.  J.  BOOGAERD. 


31  J  Feeding  the  Horse. 


A.  DeBRAECKELEER  (Antwerp). 
316  Helping  the  Poor 


F.  VAN  LEEMPUTTEN. 


317  Fowls. 

318  do 


Companions. 


CHAS.  LEICKERT  (Amsterdam). 
319  Canal  Scene. 


A.  DeBRAECEKLEER  (Antwerp  V 

320  The  Armorer’s  Shop. 

J.  W.  BOOGAERD  (Amsterdam). 

321  At  the  Well. 

SCHEERS. 

322  Interior — The  Armorers. 

GEO.  WASHINGTON. 

323  An  autograph  Letter  dated  Valley  Forge,  March 

16th,  1778,  addressed  to  General  McDougal, 
nicely  mounted  and  Leather  Case. 


R  H.  PARK. 

324  Marble  Bust — “  Little  Nell.'’ 

J.  T.  HARTELE. 

323  Marble  Bust — Morning. 


LEEDS  ART  GALLERIES, 

Nos.  817  &  819  Broadway. 

/ 


H  enry  H.  Leeds  &  Miner,  Auctioneers, 

Salesrooms,  95  Chambers  &  77  Reade  Sts. 


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